80jili login Nova Scotia Progressive Conservative premier names new 21-member cabinetThere's a story from the earliest days of cinema that seems applicable to Sora, the text-to-video creation tool launched by OpenAI this week. And given that Sora's servers are struggling with demand , with many OpenAI subscribers still waiting to try it out, we've got time for stories. You probably know of Arrival of a Train at La Ciotat Station (1896) by the Lumiere brothers, even if you've never seen it. Like Sora, the Lumieres created very short movies that showcased the latest tech. We're talking cinematograph rather than AI rendering, and a luxurious 50 seconds of film rather than the maximum 20 seconds allowed in Sora videos. Still, it's the same principle: This was an early peek at a shockingly new form of entertainment. According to legend — a legend cemented in Martin Scorcese's charming movie about a boy in the Lumiere era, Hugo (2011) — Arrival of a Train audiences ran in terror from a steam engine that appeared to be heading straight for them. A similar sense of panic clings to Sora — specifically, panic about what AI videos might do to further crack up our "post-truth" media landscape. The average viewer is already having a hard time judging what is real and what isn't, and the problem is worse if they're depressed . We're living in a golden age of conspiracy theories. The world's richest man already shared an AI deepfake video in order to help swing an election. What happens when Sora can make any prompt look as real as something you might see on the evening news — ready-made to spread on social media? OpenAI seems to think its watermarks, both visible and invisible , would prevent any shenanigans. But having downloaded dozens of Sora videos now, I can attest that the visible watermark is tiny, illegible, and fades into the background more often than not. It would be child's play for video editing software to clip it out altogether. So a world of deliberate disinformation, either from bad political actors or influencers trying to gin up their engagement, is barreling down on us like a train. Right? Wrong. Because as the actual story of the Lumiere movie tells us, humans are actually a lot smarter about new video entertainment than we give them credit for. Here's the thing about Arrival of a Train : the legend is almost certainly wrong. We have zero first-hand evidence that audiences fled the cinema, or even flinched when they saw a train approaching in a 50-second clip. Media studies professor Martin Loiperdinger calls the panic tale " cinema's founding myth ," and notes it can be traced back to books written in the second half of the 20th century. It's possible that authors conflated it with the Lumieres' later experimental 3-D version of Arrival of a Train , which screened a handful of times in 1934 and was — like a lot of 3-D movies to come — a novelty, and a commercial failure. So no, early audiences likely did not confuse a moving image of a train with a real train. Rather, they seem to have adapted to the whole concept of movies very quickly. Contemporary accounts of the Lumiere shorts (of which there were dozens; Arrival of a Train was not seen as a stand-out) are filled with excitement at the possibilities now unlocked. "Why, if this continues," wrote one newspaper, Le Courier de Paris , in 1896, "we could almost overcome memory loss, almost put an end to separation, almost abolish death itself." (Spoiler alert: we did not, although that sounds like a great premise for a 19th century Black Mirror episode.) Another periodical, La Science Francais , enthused about the "most unbelievably wonderful sorcery" that had created the cinematograph's "hallucinatory phantasmagoria." Even today's most tech-happy AI boosters would have a hard time endorsing Sora in the same terms. Because like most AI, Sora is often "hallucinatory" — and not in a good way. As I discovered in the moments that OpenAI servers weren't slammed, almost every Sora-generated video has some detail that looks wrong to human eyes. I typed a prompt for "journalist slams desk in frustration at not being able to access AI videos," then noticed a pen that appears and disappears in the journalist's hand. The mistakes went on and on. The novelty factor diminished fast. Friends were amused and a little freaked out by the realness of the swag in "hip-hop artist models a cozy Christmas sweater" — until we spotted that the rapper's gold chain had become a gold pony tail at the back, and the reindeer on the sweater had eight legs. Sora's response to "a funeral mass with circus clowns" pretty much nailed the prompt ... except that the colorful-wigged, red-nosed figure in the casket was missing his body. That's not to say Sora won't have an immediate impact on the moving image industry. Given less outlandish prompts, it could certainly replace a lot of the generic B-roll often seen in YouTube explainers and corporate training videos. (That's assuming OpenAI isn't going to be forced to cease and desist training Sora on internet video footage without the makers' permission.) It is to say that there's a significant barrier to entry when it comes to creating videos featuring anything unusual, anything you're trying to lie about, anything that Sora hasn't been specifically trained on. Rooting out all those mistakes, to the point where we won't immediately notice, can be an exercise in frustration. And perhaps these early mistake-filled AI videos will serve as a kind of mass inoculation — a small dose of the post-truth disease, one that effectively gives our brains AI-resistant antibodies that can better prepare us for a future epidemic of visual fakes. AI video needs to board the clue train I'm certainly less impressed with AI after I prompted Sora for a new take on the Lumieres' Arrival of a Train. I asked for a video where a locomotive does actually break through the projection screen at the end, crushing the cinematograph audience. But Sora couldn't even access the original 50-second short, which is way out of copyright and widely available online (including a version already upscaled by AI ). It hallucinated a movie called "Arrival of a tal [sic] train," apparently released in the year "18965." As for breaking a literal fourth wall, forget about it: despite multiple prompt-rewording attempts, Sora simply couldn't grok what I was asking. The projection screen remained intact. Still, this version of Sora may still be a harbinger of some terrifying visual fakery to come — perhaps when more robust AI video tech falls into the hands of a future D.W. Griffith. Two decades passed between Arrival of a Train and Griffith's infamous movie The Birth of a Nation (1915) — the first real blockbuster, a landmark in the history of cinema, which also happened to be a skewed take on recent American history stuffed with racist lies. Griffith's movie, protested at the time by the NAACP, was hugely influential in perpetuating segregation and reviving the Ku Klux Klan. So yes, perhaps Sora's release is slowly nudging us further in the direction of a fragmented post-truth world. But even in an AI-dominated future, bad actors are going to have to work overtime if they want to do more damage to society than the cinematograph's most dangerous prompts.Delaware judge reaffirms ruling that invalidated massive Tesla pay package for Elon Musk

NoneStop selling tactics as strategy: The dangerous misuse of business languageParticipation in hockey in British Columbia was struggling in 2021 — the pandemic had dealt a heavy blow to player registrations, and numbers had already been flagging before COVID-19 arrived. “I think there were a lot of families that were impacted at that time,” said Pacific Coast Amateur Hockey Association president Melanie Earland, whose group governs minor hockey in B.C.’s Lower Mainland, including Metro Vancouver. “The world changed,” she said. Player participation had peaked in 2016-2017 with more than 62,000 registrations, Hockey Canada statistics for B.C. show, falling under 58,000 just before the pandemic began in 2020, then plummeting to 39,056 that season. Rising costs and growing competition from other sports had also been chipping away at youth hockey participation. But that is now changing, with registration for this season in B.C. surging past the 63,000 mark, a rebound that follows a concerted effort to make the game more accessible, especially to groups not traditionally linked to the sport such as new Canadians and Indigenous communities. Tom Oberti, president of the West Vancouver Minor Hockey Association, said his organization had seen record registrations this year, more than 8 per cent higher than last season. “We’re bursting at the seams,” Oberti said, noting the association has had to look outside West Vancouver to find ice time to fit all the players. “The reason why we’ve grown is because we’ve put a lot of effort into reaching out to new, non-traditional hockey demographics,” he said. “For example, we run ball hockey programs in elementary schools to introduce the sport, and we’ve done a lot to reach out to the Mandarin-speaking community, because it’s a growing segment of our community on the North Shore.” Oberti said the association has leveraged Mandarin- and Persian-speaking families already with kids in youth hockey, establishing links to new players through parent groups on social media platforms targeting specific communities such as WeChat and WhatsApp as well as word of mouth from schoolchildren who already play the game. Families new to Canada want to do things they consider Canadian, Oberti said, and they are embracing hockey. “Hockey has an advantage there,” he said. “There are a lot of families that do want to participate in the sport — or who are interested in the sport — because of the way it’s intertwined in the fabric of social life in Canada.” At the Richmond Jets Minor Hockey Association, vice-president Trent Gustafson said while his group has seen about a 15-to-20 per cent drop-off in participation from a peak in 2018-2019, registration is growing again, and players from non-traditional communities make up a big part of that rebound. “We’re up to around 915 to 920 kids playing hockey at Jets this year,” Gustafson said. “We don’t collect (data) in terms of the ethnicity of our members specifically, but I can safely say more than half are non-Caucasian members.” Just as important as getting children in these communities playing hockey, Gustafson said, is the fact that parents new to the game are also eager to volunteer. He said that is a vital contribution to the minor hockey system largely run by volunteers and parents in their spare time. “Those parents are, frankly, just as crazy hockey parents as you’re getting in some of the other cities and towns in not only British Columbia but across the country,” he said. “It’s interesting, the people it seems these days that are almost more willing to volunteer are some of the newer people to hockey. They’ve just fallen in love with the game.” Earland said other efforts to attract players include a try-hockey-for-free program in Cloverdale, B.C., for Indigenous youth, and they are trying to make the game more affordable through equipment programs and other initiatives. “Nobody in minor hockey wants to hear a family say, ‘We want to play but our kids can’t afford it or we can’t afford it,’” she said. She said she wants every child to have an opportunity to play hockey. “It’s a fabulous sport. It offers friendships and teamwork and camaraderie for all of our youth.” Chilliwack Minor Hockey Association president Lee McCaw said his group does not target any specific community for new players, but the province’s rapid population growth and its diversity means more kids being registered from every background. “I think our inclusion for everybody to be able to participate is huge,” McCaw said. “We have a huge First Nations population in our city, and there’s a lot of learn-to-skate programs that are specifically designed for every ethnicity group and everybody inclusively, together and within Chilliwack.” Nathan Bosa, the president of the Kamloops Minor Hockey Association, said even if there are no specific programs aimed at the diverse newcomer groups, sport could be an opportunity to support them. “We’re talking about this as a board a while ago, about having a program for new people coming into Canada and into Kamloops (to) give them a little bit of an instruction on how things work,” Bosa said. “It’s something that we’re going to be looking at in the new year. I think we’ve started to see that the influx is very noticeable, and it’s good. Getting children into sport, whether it’s hockey or something else, allows children and their parents to make friends and it brings them into the community, Bosa said. Bosa and McCaw also noted the impact of hockey exposure in the South Asian community as another factor in attracting new players, including Hockey Night in Canada’s Punjabi broadcast, and homegrown talent such as Arshdeep Bains from Surrey playing for the Vancouver Canucks in February. The Winnipeg Jets, meanwhile, signed forward Kevin He to a three-year entry-level deal this month, making him the first player born in China to ink an NHL deal. Scott Furman, Hockey Canada’s vice-president of growth and retention, said progress has also been made on other fronts, with the visibility of women’s hockey skyrocketing as the Professional Women’s Hockey League drives female player registration to a new high beyond 100,000 countrywide this season. Furman said the upheaval and change in management at Hockey Canada in recent years meant a new approach, bringing inclusion and more programs to help with the costs of the game. He said the rebound in B.C. is symbolic of this change. “Last season, for the first time, we hit 50,000 players that identified as black, Indigenous or people of colour, and that was an 8-per-cent increase on the previous season,” Furman said. “In B.C., I think about 19 per cent of players identify as black, Indigenous or people of colour, which is well above the national average. And the South Asian community represents 4.5 per cent of all players — a 46 per cent increase since the 2021 season. “It certainly is a positive trend, but nothing’s taken for granted. And we’ve got to continue to do the work to make sure that it continues in that fashion.”

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